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DTSTART;TZID=America/New_York:20260506T100000
DTEND;TZID=America/New_York:20260506T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023085-1778061600-1778083200@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-06/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260507T100000
DTEND;TZID=America/New_York:20260507T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023086-1778148000-1778169600@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-07/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260508T100000
DTEND;TZID=America/New_York:20260508T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023087-1778234400-1778256000@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-08/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260511T100000
DTEND;TZID=America/New_York:20260511T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023088-1778493600-1778515200@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-11/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260512T100000
DTEND;TZID=America/New_York:20260512T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023089-1778580000-1778601600@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-12/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260513T100000
DTEND;TZID=America/New_York:20260513T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023090-1778666400-1778688000@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-13/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260514T100000
DTEND;TZID=America/New_York:20260514T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023091-1778752800-1778774400@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-14/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260515T100000
DTEND;TZID=America/New_York:20260515T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023092-1778839200-1778860800@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-15/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260518T100000
DTEND;TZID=America/New_York:20260518T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023093-1779098400-1779120000@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-18/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260519T100000
DTEND;TZID=America/New_York:20260519T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023094-1779184800-1779206400@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-19/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260520T100000
DTEND;TZID=America/New_York:20260520T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023095-1779271200-1779292800@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-20/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260521T100000
DTEND;TZID=America/New_York:20260521T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023096-1779357600-1779379200@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-21/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260522T100000
DTEND;TZID=America/New_York:20260522T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023097-1779444000-1779465600@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-22/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260525T100000
DTEND;TZID=America/New_York:20260525T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023098-1779703200-1779724800@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-25/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260526T100000
DTEND;TZID=America/New_York:20260526T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023099-1779789600-1779811200@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-26/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260527T100000
DTEND;TZID=America/New_York:20260527T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023100-1779876000-1779897600@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-27/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260528T100000
DTEND;TZID=America/New_York:20260528T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023101-1779962400-1779984000@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-28/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260529T100000
DTEND;TZID=America/New_York:20260529T160000
DTSTAMP:20260506T050055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023102-1780048800-1780070400@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-29/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
END:VCALENDAR