BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Arts Month@DBAA - ECPv6.16.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Arts Month@DBAA
X-ORIGINAL-URL:https://artsmonth-dbaa.org
X-WR-CALDESC:Events for Arts Month@DBAA
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260430T000000
DTEND;TZID=America/New_York:20260512T235959
DTSTAMP:20260515T085055
CREATED:20260430T202918Z
LAST-MODIFIED:20260430T202933Z
UID:10023103-1777507200-1778630399@artsmonth-dbaa.org
SUMMARY:2026 Dieu Donné Benefit Online Auction & Fundraiser
DESCRIPTION:Since its founding in 1976\, Dieu Donné has served as a center for artistic experimentation in hand papermaking\, where artists work collaboratively to explore the medium’s material and conceptual possibilities. \n\n\n\nThis Benefit Auction brings together works by artists from the extended Dieu Donné community\, including past collaborators\, resident artists\, fellows\, and longtime supporters of the studio. The selection reflects the wide range of practices that have intersected with Dieu Donné over the years and offers a glimpse into the creative dialogue that continues to unfold within its Brooklyn workspace.
URL:https://artsmonth-dbaa.org/event/2026-dieu-donne-benefit-online-auction-fundraiser/
LOCATION:Online\, Brooklyn
CATEGORIES:Other
ATTACH;FMTTYPE=image/png:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_auction-e1777580921917.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260508T100000
DTEND;TZID=America/New_York:20260508T160000
DTSTAMP:20260515T085055
CREATED:20260430T201008Z
LAST-MODIFIED:20260430T201226Z
UID:10023087-1778234400-1778256000@artsmonth-dbaa.org
SUMMARY:Imprinted: Printmaking with Pulp
DESCRIPTION:Visits to the Dieu Donné gallery can be requested on weekdays between the hours of 10:00 am – 4:00 pm. Dieu Donné is not open on the weekends. Upon confirmation of visit\, you will be sent an entry pass to enter the Brooklyn Navy Yard. Please note we require 2-3 business days notice and schedule as availability allows. \n\n\n\nDieu Donne is pleased to present Imprinted\, an exhibition exploring the application of printmaking techniques in hand papermaking. Coinciding with the presentation of the IFPDA Print Fair and the Brooklyn Fine Art Print Fair\, this exhibition demonstrates the longstanding exchange between the two methods. Entirely drawn from Dieu Donné’s extensive collections archive\, the exhibition includes examples of etching\, solvent transfers\, embossing\, risograph\, letterpress\, and screenprinting. Tammy Nguyen’s work alone includes photogravure\, silkscreen\, chine collé\, rubber stamping\, and letterpress.  \n\n\n\nScreenprinting\, the most frequently featured process here\, involves pushing diluted pulp “paint” through silkscreens onto a wet base sheet. The process can achieve graphic clarity at a large scale\, as in Tatiana Ginsberg’s work\, but it is also used by Noel W Anderson and Katharine L. DeLamater to distort imagery. Matthew Kirk and John Beech use embossing to create abstract sculptural impressions\, while legendary printmaker Robert Blackburn combined etching with stenciled paper pulp to produce a grayscale composition of stacked and swirling forms. Several artists\, including Lesley Dill\, Alison Knowles\, and Suzanne McClelland\, employed various printmaking techniques to incorporate language into their work. Dieu Donné’s Founding Artistic Director\, Paul Wong\, augmented his handmade paper and laminate cast sculptures with diagrammatic illustrations that draw on his Chinese heritage. \n\n\n\nAt Dieu Donné\, paper is more than just a substrate for other mediums. This presentation demonstrates how artists working in our studio have embedded printmaking into the paper itself.
URL:https://artsmonth-dbaa.org/event/imprinted-printmaking-with-pulp/2026-05-08/
LOCATION:DIEU DONNÉ PAPER MILL\, 63 Flushing Ave\, Building 3\, Suite 602 (6th floor)\, Brooklyn\, New York
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/DD_2026PrintExhibition_-2-e1777579764338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260508T100000
DTEND;TZID=America/New_York:20260508T160000
DTSTAMP:20260515T085055
CREATED:20260501T164456Z
LAST-MODIFIED:20260501T164911Z
UID:10023230-1778234400-1778256000@artsmonth-dbaa.org
SUMMARY:NYTM Exhibitions: FAREwell\, MetroCard\, & The Subway Is…\, & Ticket to ride
DESCRIPTION:On view through May 31\, 2026The Subway Is…You take it to work\, to school\, or for a night out. It’s become a shorthand for New York — or urbanity in the abstract. It’s the New York City subway. It moves millions of people — and has since the day it opened on October 27th\, 1904. Using images and objects from the Museum collection\, this exhibit explores some of the endless ways to complete the sentence\, “The Subway Is…” \nTicket To RideThrough archival photographs\, ephemera\, and objects from the Transit Museum’s extensive collection\, Ticket to Ride shows the evolution of fare collection across all of New York’s modes of transportation. Visitors will see and touch different types of collection equipment such as turnstiles and fare boxes\, get a sense the colossal process of fare collection\, and see some of the people who make sure the money goes where it’s supposed to go. \nFAREwell\, MetroCard traces the rise and retirement of the iconic fare card that reshaped daily life for millions of New Yorkers. When the MetroCard debuted in 1994\, its mission was twofold: introduce new technology to the transit system and speed the elimination of tokens as a way to pay fares. In the decades that followed\, the MetroCard became almost as iconic as the token itself\, bearing safety reminders\, commemorating anniversaries\, and celebrating cultural moments. As OMNY becomes the new way to pay\, the exhibition invites visitors to explore the MetroCard’s origins\, its systemwide rollout\, the technology behind it\, and the many ways it became a cultural icon for a generation of riders.
URL:https://artsmonth-dbaa.org/event/nytm-exhibitions-farewell-metrocard-the-subway-is-ticket-to-ride/2026-05-08/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2025/12/Ticket-to-Ride-Exhibits-Page-760x521-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260508T110000
DTEND;TZID=America/New_York:20260508T170000
DTSTAMP:20260515T085055
CREATED:20260430T182613Z
LAST-MODIFIED:20260430T182617Z
UID:10023018-1778238000-1778259600@artsmonth-dbaa.org
SUMMARY:Brooklyn Navy Yard: Past\, Present & Future
DESCRIPTION:Brooklyn Navy Yard: Past\, Present\, and Future is a permanent exhibition at Building 92 that tells the story of the Brooklyn Navy Yard from 1801\, when it was founded as one of the nation’s first federal shipyards\, through to the site’s use today as an active industrial and innovation hub that is home to hundreds of businesses. The exhibition is located across three floors inside the former residence of the Marine Commandant\, an adaptively reused building that was originally constructed in 1858. Inside the exhibition\, visitors will get an extensive history of the site through detailed wall text and a variety of artifacts and objects that span across centuries. \nThe exhibition is the first exhibition to tell the Yard’s story and was originally installed in 2011 with great community support from both organizations and neighborhood residents alike. Ultimately\, the exhibition aims to introduce contemporary audiences to the generations of people who worked\, transformed\, lived\, and shaped the Yard over time\, and who continue to build upon the storied history of the Brooklyn Navy Yard.
URL:https://artsmonth-dbaa.org/event/brooklyn-navy-yard-past-present-future-3/2026-05-08/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2025/12/BNY-B92Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260508T141500
DTEND;TZID=America/New_York:20260508T151500
DTSTAMP:20260515T085055
CREATED:20260429T190414Z
LAST-MODIFIED:20260429T190428Z
UID:10021852-1778249700-1778253300@artsmonth-dbaa.org
SUMMARY:AAPI Month: Movement for Healthy Aging: Hula Noho
DESCRIPTION:Embrace the wisdom of your body and move with ease\, grace\, and vitality. This somatic movement class is designed to engage your whole body through gentle\, mindful exercises that enhance flexibility\, balance\, and overall well-being. With intentional movements\, breathwork\, and relaxation techniques\, you’ll release tension\, improve mobility\, and rediscover the joy of moving freely.\n \nClass will be accompanied by affirmative\, upbeat\, and restorative music. We will affirm the wisdom of our bodies\, foster resource sharing and build social connections. No prior experience is needed—just a willingness to explore movement in a way that feels natural and nourishing. All movements can happen seated or standing. Feel free to bring water and wear comfortable clothes. You can move in Move your whole body\, breathe with awareness\, and step into a renewed sense of vitality.
URL:https://artsmonth-dbaa.org/event/aapi-month-movement-for-healthy-aging-hula-noho/
CATEGORIES:Class/Workshop (No ongoing attendance required)
ATTACH;FMTTYPE=image/png:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/AAPI-Month-Instagram-Post-1.png
ORGANIZER;CN="Mark Morris Dance Center":MAILTO:class@mmdg.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260508T160000
DTEND;TZID=America/New_York:20260508T180000
DTSTAMP:20260515T085055
CREATED:20260421T164233Z
LAST-MODIFIED:20260423T150144Z
UID:10021756-1778256000-1778263200@artsmonth-dbaa.org
SUMMARY:Rumble 'n' Rattle
DESCRIPTION:April 18 – May 24\, 2026\nOpening Reception + Performance: Saturday\, May 2\, 7-9pmJoin us during our open hours prior to May 2 to see the work in progress as it evolves! \nOpen Source Gallery is pleased to present Rumble ‘n’ Rattle\, a project by Albrecht Fersch. \nBeginning in April\, Fersch has taken up residency in the gallery\, sourcing materials from the community to transform the space and its occupants into a participatory instrument. During his time at Open Source\, Fersch will create costumes covered with mallets\, sticks\, and thick wires and hang objects that will make sounds when they are struck. The resulting installation will be an instrument that is activated by movement and dependent on the ever-changing relationship between gallery visitors and the machines. Within this instrument\, bodies will become sound and sounds will become communication\, without the need for known language. Learn more at open-source-gallery.org/albrecht-fersch \nThe exhibition will be on view through May 24th. Our open hours are Thursdays + Fridays from 4-6pm and Saturdays + Sundays from 2-6pm.
URL:https://artsmonth-dbaa.org/event/rumble-n-rattle/2026-05-08/
CATEGORIES:boerum-hill-cobble-hill-gowanus-park-slope-greenwood-heights,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/af_4-18-26_20.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260508T170000
DTEND;TZID=America/New_York:20260508T210000
DTSTAMP:20260515T085055
CREATED:20260430T173015Z
LAST-MODIFIED:20260430T173020Z
UID:10022967-1778259600-1778274000@artsmonth-dbaa.org
SUMMARY:Closing Reception for Zeelie Brown: A sonata to seed whatever flourishes...
DESCRIPTION:Join us for the culminating event of a sonata to seed whatever flourishes after the end of the american empire\, by Session artist Zeelie Brown. \n\n\n\nFor this closing performance\, Brown premieres a new sonata developed throughout the course of the exhibition. Performed live in the gallery\, the work brings together collaborators working across voice\, electronics\, and strings\, creating a layered sonic environment that expands the installation into a full ensemble performance. \n\n\n\nThe evening marks the final moment of the project’s public unfolding—bringing together the sounds\, materials\, and ideas developed over the course of the Session into a collective listening experience. \n\n\n\nGuests are invited to arrive early to experience the installation and remain after the performance for informal conversation with the artists. \n\n\n\nFull list of accompanying artists to be announced soon…
URL:https://artsmonth-dbaa.org/event/closing-reception-for-zeelie-brown-a-sonata-to-seed-whatever-flourishes/
LOCATION:Recess\, 46 Washington Ave\, Brooklyn\, New York\, 11205
CATEGORIES:Exhibition,Opening / Party,Performance
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/Recess_Poster-Bazar-Vintage-Verde-Rosa-e1777569827807.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260508T190000
DTEND;TZID=America/New_York:20260508T203000
DTSTAMP:20260515T085055
CREATED:20260430T204754Z
LAST-MODIFIED:20260430T204817Z
UID:10023115-1778266800-1778272200@artsmonth-dbaa.org
SUMMARY:Make Room: A New Voices Salon with Asha Futterman\, Sara Gilmore & Jimin Seo
DESCRIPTION:Asha Futterman is an actor and poet from Chicago. Her book Song of Gray won the Colorado Prize for Poetry and her chapbook\, empathy\, was published by The Song Cave in 2024. She teaches children at Saint Ann’s School in Brooklyn.  \n\n\n\nA graduate of the Iowa Writers’ Workshop\, Sara Gilmore is the author of The Green Lives (Fonograf Editions\, October 2025). Her poems and translations have appeared in The Paris Review\, Ugly Duckling Presse’s Second Factory and 6×6\, The Iowa Review\, and elsewhere. She lives in Iowa City with her young son. \n\n\n\nJimin Seo is the author of OSSIA\, winner of The Changes Book Prize judged by Louise Glück\, and the forthcoming A-1982. He is the recipient of the Poetry Society of America’s Norma Farber First Book Award selected by Phillip B. Williams. His most recent projects are Poems of Consumption with H. Sinno at the Barbican Centre in London\, and a site activation for salazar|sequero|medina’s Open Pavilion at the 4th Seoul Biennale of Architecture and Urbanism. He is visiting professor of English at Wesleyan University.
URL:https://artsmonth-dbaa.org/event/make-room-a-new-voices-salon-with-asha-futterman-sara-gilmore-jimin-seo/
LOCATION:Poetry Society of America\, 119 Smith Street\, Brooklyn\, New York\, 11201
CATEGORIES:Artist Talk/Lecture/Panel,Performance
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/psa_5-8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260508T190000
DTEND;TZID=America/New_York:20260508T213000
DTSTAMP:20260515T085055
CREATED:20260408T225334Z
LAST-MODIFIED:20260423T145125Z
UID:10021733-1778266800-1778275800@artsmonth-dbaa.org
SUMMARY:A FUNNY THING HAPPENED ON THE WAY TO THE FORUM
DESCRIPTION:Theater 2020 to present \nA FUNNY THING HAPPENED ON THE WAY TO THE FORUM \nMusic & Lyrics by Stephen Sondheim\, Book by Burt Shevelove & Larry Gelbart \n  \nBROOKLYN\, NY March 15\, 2026 – THEATER 2020\, Brooklyn Heights’ NY award winning professional theater company is pleased to announce its spring mainstage run of one of Broadway’s greatest musical farces in a limited run of 16 performances\, April 16th – May 10th\, 2026. Press/Industry is invited beginning Friday\, April 17th. \n  \nIn these modern times of Chaos\, we proudly bring you Laughter with this 9-time TONY Award winning Musical Comedy inspired by the farces of the ancient Roman playwright Plautus. Join us for this fast-paced romp as the slave Pseudolus tries to win his freedom\, young love is ignited\, and hilarity wins the day! As always\, we bring you Broadway talent at Brooklyn prices! \n  \nCREATIVE: Director David Fuller\, Choreographer Judith Jarosz (NYITA & Nytheater.com Award\, GLAAD nom.)\, Music Director/Pianist Josh Cleveland\, Lighting Design Giles Hogya\, Costume Design Robert Jay Pugh\, Projection/Video Designer Lily Issacson\, Production Stage Manager Sabrina-Michelle Francis\, Assistant Stage Manager Will Landau.  \n  \nCAST: Gillian Mackay Brown\, Ayanna Charity*\, Sofia Faus\, Robert Fischetti*\, Michael Gnat*\, Rae Hillman*\, Jacob Keleman\, Thomas Kelly*\, Ariella Mandel*\, Christian James Potterton\, Ben Schrager*\, Anna Stanley\, Bebe Tabickman*\, Jordan Wolk*. \n(*Appearing courtesy of Actors Equity Association) \n  \nVENUE: The Mark O’Donnell Theater at the Entertainment Community Fund Arts Center\, 160 Schermerhorn St\, Brooklyn\, NY 11201 \nConvenient to trains: A\, B\, C\, D\, G\, F\, N\, R\, Q\, 2\, 3\, 4\, 5\, \nPLEASE NOTE: We follow all current New York City/CDC guidelines for COVID-19 prevention. Mask wearing is welcome but not required in the building and during the performance.
URL:https://artsmonth-dbaa.org/event/a-funny-thing-happened-on-the-way-to-the-forum/2026-05-08/
LOCATION:Mark O’Donnell Theater\, 160 Schermerhorn Street\, Brooklyn\, New York
CATEGORIES:brooklyn-heights-dumbo,Performance
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/TH2020-FORUM-flyer-w-Cast-e1776955870161.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260508T193000
DTEND;TZID=America/New_York:20260508T220000
DTSTAMP:20260515T085055
CREATED:20260430T171212Z
LAST-MODIFIED:20260430T172539Z
UID:10021928-1778268600-1778277600@artsmonth-dbaa.org
SUMMARY:Hamlet/The Furies
DESCRIPTION:Something is rotten in Denmark\, in Argos… and in the United States of America. \n\n\n\nThis spring\, Irondale presents Hamlet/The Furies\, a bold two-act theatrical event that brings together William Shakespeare’s Hamlet and The Furies\, drawn from Aeschylus’s Oresteia\, in a single\, continuous evening. Performed by the Irondale ensemble and directed by Irondale co-founder Jim Niesen\, these ancient stories collide to illuminate the present moment—one marked by contested power\, fragile institutions\, and an urgent hunger for justice. \n\n\n\nRather than treating these works as historical artifacts\, Irondale uses them as living source material—cautionary tales that echo uncomfortably close to home. Written more than 2\,000 years apart\, Hamlet and The Furies are woven together to examine what happens when systems meant to protect society begin to fail\, and when the line between justice and revenge becomes dangerously blurred. \n\n\n\n“These plays aren’t about the past—they’re about patterns we keep repeating.”— Jim Niesen\, Director \n\n\n\nAct I: Hamlet\n\n\n\nShakespeare’s tragedy pulls us into the intimate reckoning of a son carrying the weight of a crime he did not commit. Trapped between moral clarity and decisive action\, Hamlet navigates a world already coming apart—a world where corruption is normalized\, truth is slippery\, and doing “the right thing” carries devastating consequences. \n\n\n\nAct II: The Furies\n\n\n\nThe scope widens from one family to an entire society. In The Furies\, Irondale stages the pivotal moment when justice shifts from personal vengeance to a civic legal system. But this transition is not presented as a clean victory. Instead\, it reveals a troubling handoff of power—one shaped by pressure\, persuasion\, and unequal voices—raising unsettling questions about whose lives are protected\, whose are sacrificed\, and whether justice has truly been achieved or merely managed. \n\n\n\n‍
URL:https://artsmonth-dbaa.org/event/hamlet-the-furies/2026-05-08/
LOCATION:The Space At Irondale\, 85 S. Oxford Street\, Brooklyn\, New York\, 11217
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/Irondale-Hamlet-Furies-e1777569048150.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260508T193000
DTEND;TZID=America/New_York:20260508T223000
DTSTAMP:20260515T085055
CREATED:20260430T070455Z
LAST-MODIFIED:20260502T114634Z
UID:10021865-1778268600-1778279400@artsmonth-dbaa.org
SUMMARY:Hamlet
DESCRIPTION:Kicking off an ongoing partnership between BAM and the National Theatre\, director Robert Hastie (Operation Mincemeat) brings his witty\, fearlessly contemporary take on Hamlet across the Atlantic for a four-week run. Hiran Abeysekera (Life of Pi) stars in this sharp\, darkly funny reimagining of Shakespeare’s famous tragedy. \n\n\n\nSince its first staging at BAM in 1861\, Hamlet has returned more than a dozen times\, helmed by luminaries like Ingmar Bergman\, Peter Brook\, and Thomas Ostermeier. Now\, Hastie’s fresh new production marks yet another groundbreaking entry into BAM’s legacy of daring Hamlets.
URL:https://artsmonth-dbaa.org/event/hamlet/2026-05-08/
LOCATION:BAM Harvey Theater\, 651 Fulton St\, Brooklyn\, New York\, 11217
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/04/BAM_Hamlet-1-e1777690820569.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260508T200000
DTEND;TZID=America/New_York:20260508T220000
DTSTAMP:20260515T085055
CREATED:20260501T135404Z
LAST-MODIFIED:20260501T140119Z
UID:10023145-1778270400-1778277600@artsmonth-dbaa.org
SUMMARY:Syrian Music Preservation Initiative: Music of Muhammed Qadri Dalal\, Maqam Master of Aleppo (RBA)
DESCRIPTION:This program is dedicated to the music of Maestro Muhammed Qadri Dalal\, the renowned oud (lute) virtuoso\, composer\, scholar\, and iconic musical figure of Aleppo. Born in 1946\, Dalal has performed with many of the most important traditional singers since the 1970s\, including Sabah Fakhri\, Sabri Mudallal\, and Adib al-Dayekh. He has composed works for numerous singers across Syria and the Arab world\, including Shadi Jameel from Syria and Lotfi Boshnaq from Tunisia. \n\n\n\nThis concert offers a rare opportunity to experience Dalal’s music in New York\, honoring his artistry while sharing the vitality of his living legacy with new audiences. Presented in an intimate chamber setting\, the program focuses on his original compositions\, which combine deep knowledge of the maqam tradition with his own distinctive creative voice. \n\n\n\nTakht al-Nagham\, directed by Syrian-American violinist and SMPI founder Samer Ali\, is the performing ensemble of the Syrian Music Preservation Initiative. Committed to presenting Syrian classical and folk repertoire rarely heard in the U.S.\, this acclaimed New York-based ensemble performs in the traditional takht (Arab chamber music) style. For this performance\, the ensemble features Samer Ali on violin\, SMPI president Marissa Arciola Ali on  bass\, Gideon Forbes on nay (flute)\, Gabriel Lavin on oud (lute)\,  Jeremy Smith on riq (tambourine)\, and Marwa Morgan (vocals). \n\n\n\nPresented by Robert Browning Associates and Lotus Music & Dance in partnership with Roulette
URL:https://artsmonth-dbaa.org/event/syrian-music-preservation-initiative-music-of-muhammed-qadri-dalal-maqam-master-of-aleppo-rba/
LOCATION:Roulette Intermedium\, 509 Atlantic AVE\, Brooklyn\, New York\, 11217
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://artsmonth-dbaa.org/wp-content/uploads/2026/05/Takht-at-Hungarian-House-780x525-1-e1777643597213.jpg
END:VEVENT
END:VCALENDAR